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African Voices is a non-profit cultural arts organization dedicated to fostering cultural understanding and awareness through literature, art and film.
Founded in 1992 by a small group of writers and visual artists, the organization strives for artistic and literary excellence while showcasing the unique and diverse stories within the African Diaspora. The organization publishes a national quarterly literary magazine and presents community arts programs.
Managing Editor: Maitefa Angaza (Judith Halsey)
Art Director: Derick Cross (aka D. Cross)
Poetry Editor: Mariahadessa Ekere Tallie
270 West 96th Street
New York, NY 10025
Lunaris Review is a quarterly online literary and art journal based in Nigeria, with the ultimate goal of bringing together creative minds to a common platform of artistry and beauty while providing the audience a satisfying read. The journal features fiction, creative nonfiction, essays, poetry, artworks and photography by established and emerging writers.
Stanzas is a quarterly of new poetry by established and aspirant poets. It offers a dynamic range of voices and styles within a vast landscape of expressions.
Stanzas is a quarterly which self-funds through subscription. It accepts new, previously unpublished poems in English and Afrikaans. Each subscription covers four issues of Stanzas. Anyone may subscribe, but only those who subscribe may submit poems for publication. Subscription to Stanzas does not guarantee acceptance of poems, the choice of which is left to the editors’ discretion.
Vlaeberg
Cape Town
8018
African Poetry Magazine (Centre for African Poetry) aims to honour the work of organizations, publishers, book traders, agencies, institutions, donors, bloggers and others, with a notable commitment to African poetry
joINT seeks to create a space in which to re-interpret what it means to be of African descent when one does not “fit” into the illusory monolith of Black political identity.
joINT seeks work from writers and visual artists across the African diaspora, who exist within the margins of gender, sex, religious, cis, able-bodied, and class privilege, to name a few.
Matatu is a journal on African literatures and societies dedicated to interdisciplinary dialogue between literary and cultural studies, historiography, the social sciences and cultural anthropology. It creates temporary communicative communities and provides a transient site for the exchange of news, storytelling, and political debate.
Matatu is animated by a lively interest in African culture and literature (including the Afro-Caribbean) that moves beyond worn-out clichés of “cultural authenticity” and “national liberation” towards critical exploration of African modernities. The East African public transport vehicle from which Matatu takes its name is both a component and a symbol of these modernities: based on “Western” (these days usually Japanese) technology, it is a vigorously African institution; it is usually regarded with some anxiety by those travelling in it, but is often enough the only means of transport available; it creates temporary communicative communities and provides a transient site for the exchange of news, storytelling, and political debate.
Matatu is firmly committed to supporting democratic change in Africa, to providing a forum for interchanges between African and European critical debates, to overcoming notions of absolute cultural, ethnic, or religious alterity, and to promoting transnational discussion on the future of African societies in a wider world.
Edited by Gordon Collier, Geoffrey V. Davis, Christine Matzke, Aderemi Raji-Oyelade, Wanjiku wa Ngugi, Ezenwa–Ohaeto† and Frank Schulze–Engler
Safundi, The Journal of South African and American Studies, is a peer-reviewed quarterly academic journal that analyses the United States and South Africa from an international, transnational, and/or comparative perspective and seeks to understand each country in relation to the other.
Although new comparative and transnational research forms the core of the journal, Safundi also publishes articles specifically addressing one country, provided the research is of interest to an international audience. The Editorial Board will consider submissions relating to other countries in southern Africa and the Americas, as well as to other parts of the world that allow for broader comparative insights.
Published quarterly, The Write Mag puts a special emphasis on reviving interest in African literature.
uHlanga is South Africa's progressive poetry press. Through the uHlanga New Poets series, uHlanga publishes debut collections from South Africa's most promising young voices.
uHlanga does not accept unsolicited poems or manuscripts for publication.